In the Absence of Bombs – Art, War, and Silence Xavier GUILBERT fusionnant la critique avec le

fusionnant la critique avec le jeu visuel et reliant l'imagination collective à l'action sociale

on access ramps and his stairs/ramp (what is called a "stamp") project designed for a space at the Palais de Tokyo as part of his solo exhibition This Is Where We Are

Ce dernier lui propose d'accomplir une quête chimérique avec une brigade de superhéros

l'acceptation et l'identité de genre

In the Absence of Bombs – Art, War, and Silence Xavier GUILBERT fusionnant la critique avec le'In the Absence of Bombs' investigates this silence. In a time when horror is livestreamed and apathy is institutionalized, this book asks how such paralysis is possible and how art can contribute to recognition of the unfolding crimes against humanity? How do poets, visual artists, theatre and filmmakers unsettle the spectacle of shock? How can grief become a collective and political force, rather than a privatized void? Through testimonies from war